We have kits for the Fat Head (ribbon), Alctron T11-A / Apex 460 (tube) and numerous FET mics from Studio Projects, MXL, CAD, Apex, Nady, t.bone, and Golden Age -- low-cost microphones with “good bones.” By replacing the circuit and capsule with our custom parts, we’re able to make these cheap mics compete with the high-dollar pedigreed mics you’d normally reach for first. An HT supply of 200 Volts DC is used, so this isn't one of those mics that use a 'marketing' tube run at solid-state voltages. To achieve this, Studio Projects has a working partnership with Chinese company 797 Audio, who build the capsules and manufacture the microphones in Beijing. It is a versatile microphone with abundant applications in the studio from pianos and strings to guitar cabinets and saxophones. The C1 and C3 are best buys (with my ultimate winner being the C3) and the T3 is a vintage tone-tailored, three-pattern tube mic that gives a warm, full presentation. It's impossible to come up with a definitive 'best in category' recommendation, because so much depends on the nature of the source sound and the kind of result you're after. First Look: Pro Tools | Carbon. The C4 is small-diaphragm condenser microphone featuring interchangeable capsules, switchable -10dB … The Studio Projects line, distributed by PMI in the U.S., now offers a number of Chinese- made, 1-inch diaphragm mic models for different budgets. The Studio Projects T3 is also known as: T-3. The bottom line then is that the T3 does indeed offer a high level of performance at a non-esoteric UK price, but it's equally true that it is not without some worthy competition. (14 mV/Pa; 20 - 20,000 Hz). UP TO THE CHALLENGE I ran the T3 and an AKG C 12VR, for comparison, through a Millennia HV-3C preamp and an Apogee Rosetta 800 converter, recording both simultaneously to Pro Tools HD at 48kHz/24-bit. I love this mic. Noise is 18dBA, equating to a signal-to-noise ratio of 76dB, again not atypical for a large-diaphragm capacitor microphone. If you don’t need the multiple patterns, there are more economical choices that I think sound every bit as good, not least Rode’s mellifluously smooth NTK, but if you need the flexibility of pattern control and demand quality without paying through the nose for it, the T3 could be just what you’re looking for. The Studio Projects C1, C3 and T3 are quality condensers that are bargains at their street prices. PreSonus StudioLive 32SC Series III Mixing Console. Please let us know! Folks - I've had a Studio Projects T3 tube mic (1st generation) for many years now. My first test with the T3 was to record the main vocals for a band project I'm currently involved in, and the results were encouraging. In this case the tube is a dual-triode 6072, chosen for its traditional warm sound. If you don't need the multiple patterns, there are more economical choices that I think sound every bit as good, not least Rode's mellifluously smooth NTK, but if you need the flexibility of pattern control and demand quality without paying through the nose for it, the T3 could be just what you're looking for. The mic’s tube is a 12AY7/6072 dual-triode; the output circuit is transformerless. UK engineers often go for a dynamic model as first choice for amp miking, but I'm now starting to think that capacitor models produce a better sound in many situations, especially if you're after a more 'American' sound. The T3 provides warm transparent sound associated with large capsule tube microphones and it is the absolute stand-alone value in its price class. A centre electrode capsule is employed, a design feature of many 'classic' microphones, and a system of dynamic feedback is used at the capsule to reduce distortion at higher SPLs. The latest addition to the Studio Projects range is the T3, a multi-pattern tube microphone that comes with cable, power supply, foam wind shield and shockmount, all packed in a tidy aluminium flightcase. Recommended applications for the T3 include vocals, broadcast announcing, close-miking acoustic instruments, drum overheads and guitar amp miking. In fact it's quite a large mic, with a 2.1-inch diameter and a length of almost nine inches, weighing in at a hefty 26.9 ounces, which can give lesser microphone stands a nasty case of the droops! Three polar patterns are supported — cardioid, omni and figure of eight — and are selected using a rotary switch on the external PSU. Discuss mic modifications, capsules, transformers and other good old tech talk to improve the sound of your microphone. The T3 provides warm transparent sound associated with large capsule tube microphones and it is the absolute stand-alone value in its price class. Certainly there's a hint of tube flattery that, in conjunction with conventional compression, produces a solid and assertive vocal sound, but there's no obvious-sounding artificial hype or distortion. The line includes the cardioid-only C1 ($299), three-pattern C3 ($499) and the three-pattern, tube T3 ($799). Two 27mm capsules are mounted atop one another. A heavier-gauge metal mesh was used to manufacture the new headgrille. Versatile stereo pair with interchangeable capsules. Studio Projects T-3 Studio Condenser Tube Microphone Multi-Pattern BSW PART: T-3. Multi-Pattern Tube Condenser Microphone The T3 is a multipattern tube condenser microphone built by 797 Audio in China. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Wind shields should always be used when recording outdoors, as very strong gusts of wind have been known to damage diaphragms, and a cheap tip for any capacitor mic user is to pop a plastic bag over it when not in use to keep the dust out. Win! The current version of the mic, released around 2006, differs from the original in numerous repects: The bottom line then is that the T3 does indeed offer a high level of performance… it has the advantage of fully switchable patterns, but there will be some sound sources that it suits better than others. One Synth Challenge V - The Filter Strikes Back! The MSRP appears to have changed every few months, typically ranging from $699 to $839. The mic includes a foam windscreen, an elastic shockmount, the power supply and cable, and an aluminum flightcase.