In addition, the Neve 33609 plugin also adds modern workflow enhancements not found on the original hardware, including output and headroom controls, and a link switch for grouped left/right control of all parameters. VARI COMP is Native Instruments take on Manley Labs’ flagship Variable Mu tube compressor/limiter introduced in 1994. Furthermore, it’s famous for being the ultimate mix finalizer. The FG-Stress can also mimic the tone of some of the industry’s most famous compressors like punchy VCAs, fat tube compressors, and even vintage opto units. Mentorships with industry professionals let you access real-world insights and help you personalize your music education. UA’s LA-2A Leveler Collection also puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. This dynamics processor works great a thickening the mid-range, tightening and rounding out the lows, and letting the top sparkle. MJUC is a hybrid tube compressor inspired by various hardware variable mu emulations. UA’s 1176 Classic Limiter Plugin Collection provides three distinct 1176 revisions, representing over 40 years of design iterations to the original 1176. So take a look around at what each plugin has to offer. The 670 is often the preferred choice for stereo bus enhancement. To the lower left and right of Kintetik you will find input and output sliders, this allows you to control into gain of the plugin. The Zener also does a great job smoothing out and adding character to vocals, picked acoustic guitar, and percussion. ICON Collective is a Los Angeles and Online college of music that teaches you core technical skills while unlocking your unique creative process. Each of these settings introduce a different character to the sound allowing you to achieve the best results based on your source material. Introduced in 1993, the Empirical Labs EL8 Distressor is one of the industry’s most highly coveted analog compressors. Use the combination of all three models on the master channel and you’ll hear your mix come alive! Prized by top engineers for its ability to “glue together” tracks, the SL 4000 G-Master is ideal for making mixes bigger, more powerful, and punchy. Moreover, this plugin does an excellent job of subtly taming transients and adding punch to a drum bus while also imparting a colorful compression character. The signal chain runs from left to right, starting with the Reduction Parameter. To get the very best results from the Kinetik, you need to ensure that the input and output meters are bouncing into the green lines using the input and output sliders. Plus at least 8 GB hard disk space for installation. Slap it across the drum buss for solid and seamless LA-2A style leveling. You simply pull back the rotary slide to begin the signal reduction. You can run just about anything through this compressor and it will come out sounding good. With its gentle, program dependent optical compression, and meticulously designed tube amplifier, the LA-2A is the go-to compressor for various applications. The final parameter in the chain is the Drive section, which allows you to increase additional harmonics to the sound. Many engineers run audio through the 670 without applying any compression settings to impart its signature tube warmth and character. It also boasts a wide range of incredibly musical parameters that have made it a favorite of engineers around the globe. Man … Attached to the reduction function is an option to select between, Transparent (Circles Icon), Analog (Flame Icon) & Optimised (Transient Icon). The plugin has been developed in close cooperation with Brainworx. It uses a tube to apply compression, and an optical photocell to detect the incoming signal. It’s also a creative tool, able to add varying degrees of saturation — from subtle to severe. In other words, they inject authentic analog sound! Each of the parameters in the Kinetik include an individual bypass control allowing for precise A/B testing. The meter section displays input gain, output gain and reduction. Attached to the reduction function is an option to select … The FG-401 is a hybrid emulation that draws its sound and character from several VCA compressors such as the SSL 4000 channel compressor, Empirical Labs Distressor, DBX 160A, and others. The bandwidth is set to a permanent 12dB oct which after extensive testing has proved to deliver the most natural results. However, the CL 1B yields a more colorful, modern character. Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo. They even captured the Distressor’s unique topology where every ratio is essentially a different compressor. Analog modeled compressors emulate the circuity and musical personality of their classic hardware counterparts. This famed compressor adds punch, movement, and tone to both stereo mixes and bus groups with absolute accuracy. Music Production Program Check out our Music Programs. Man kann Kompressor Plugins benutzen um. Also, the FG-401 comes bundled in Slate Digital’s Virtual Mix Rack which offers an expanding collection of analog modeled plugins. Famous for its simple control set and radical compression characteristics, the dbx 160 plugin features nonlinearities not found in other VCA compressors, giving it a sonic personality all on its own. Slate also did an excellent job recreating the unique nonlinearities of the circuit paths that give each compressor plugin its distinct tone – including their transformers, tubes, VCA’s, amplifiers, phase distortions, harmonic distortions, and timing. The renowned Variable Mu is known for being a gold standard among mixing and mastering engineers. The ACME Opticom XLA-3 is a powerful and flexible optical compressor. It also does a great job taming piano dynamics or adding punch to drums and percussion. We have created something that we are confident will find its way into your production workflow and become a definite reach-to plugin you will use on all of your projects. This Vari-Mu type compressor/limiter delivers an incredible magic touch that makes everything that passes through it shine and sound more musical. This boutique dynamics tool offers three-stages of processing that includes separate sections for Saturation, Compression, and Density. Also keeping the gain reduction around -3dB to -4dB will give the best results on most material, however this may need to be driven a little harder on some material. This versatile compressor plugin is super fast and injects a ton of color. The original Fairchild 670 is one of the most coveted vintage compressor/limiters in the world. Optical compressors use photosensitive light cells to control the compression. The signal chain runs from left to right, starting with the Reduction Parameter. The LA-2A is another legendary compressor introduced in the late-1960s that has become a staple in major studios around the globe. Please ensure any outgoing connection blockers are deactivated. Model Mk2 captures more complex designs of the 175 and 176 from the early 1960s, the all-tube-predecessors of the classic 1176 FET compressor. The installer automatically runs in trial mode until a valid license is entered. UA’s LA-2A Leveler Collection also puts three of the most coveted incarnations of the iconic Teletronix processor at your fingertips. It can be used subtly to achieve natural dynamic control or pushed harder to bring out punch and excitement. Optical compressor plugins. This means you can lightly color, or destroy, drums, vocals, and more with tube and tape saturation. Moreover, this creative dynamics tool imparts a punchy sound with musical coloration, as well as more extreme processing options. Since its introduction in the mid-1970s, the dbx 160 is considered one of the best drum compressors ever designed.