As you can see, the two parameters that you adjust the most are the threshold and ratio. Click on Effects: Compressor, and keep the settings on about: Threshold = -18db. However, compressing is an art and there is no hard and fast rule to apply the same settings on your vocals. With tonal compression, the most important part is the attack time. Like I said at the start, compression is probably the thing in that takes the most time to master when learning how to mix music. For a good idea of what those are, see my article and video - Vocal Compression Using Reaper’s ReaComp Effect Plugin. if the rapper takes a lot of loud breathes, then i would use no compression. You need to add a fair amount of gain at this setting. Noise Floor = -40db. Ratio = 2.5:1. Ratio: 1.5:1–2:1 Typical settings may look like this: Gain: Adjust so that the output level matches the input level. You don’t need much added gain. You can use compression on vocals to just even out the performance and to create an effect. i would say a 5:1 ratio is too high. Parallel Compression. But the truth is, it’s not that easy. These settings put the vocals “in your face,” as recording engineers say: Gain: Adjust so that the output level matches the input level. 6. IF you have any setting or technique for finding the perfect vocal compression, add your comment and share that trick to other music producers. depending on the emcee, 2-3 db of compression at 2:1 or 3:1 should be good. You don’t need to add too much gain. Dynamic Music Compression Settings for Vocals, Popular Home Music Recording Software Programs, The Right Computer Setup for Home Recording. If you want to use a compressor that pumps and breathes — that is, one that you can really hear working — or if you want to bring the vocals way up front in the mix, try using the following settings. An incorrectly compressed lead vocalist, or overly compressed backing vocals, can seriously hurt an otherwise excellent creative masterpiece. There are all kinds of settings on a compressor that are better discussed in other articles. And I don’t want to mislead you. A good compression setting has a fast attack to catch the stray transient, a quick release so that the compression doesn’t color the sound of the singer, and a low ratio so that when the compressor does go on, it smoothes out the vocals without squashing them. For the moment I'd like to focus on a visual explanation of basic compression, since I strongly believe that those who use compressors to mess … By taking a copy of your drums (or vocals, guitars, keys) and compressing it aggressively, you can blend it back in with the original track for the perfect sound. Your settings may look like this: Gain: Adjust so that the output level matches the input level. Experiment with these settings and check the effects of them by toggling between the affected and unaffected sound (use the Bypass switch on your compressor). Attack Time = 1.81 secs. The reason I almost always use Parallel Compression on my lead vocals is to add weight to them, to make them sound bigger than they really are, and to essentially make the vocals really pop in the context of the mix. What does compressing the audio do? Other Useful Articles. Such a setting brings your background vocals forward slightly. I wish I could do that too. even in the final mix i dont think ive ever seen more than 4:1 ratio on vocals (unless its for an effect). Getting vocals to sit in a mix in an upfront yet natural way can be difficult when first learning how to mix vocals. Release Time = 11.1 secs. Compressor Settings? Instead, you just want to catch the occasional extremely loud transient that would cause clipping. What about compressor settings for backup vocals, you may ask? Many bloggers will tell you what the “perfect” vocal compression settings are. The number game starts now… Assuming your compressor plugin doesn’t have any rap vocal preset hare we will create our own preset by changing the parameters of the compressor. The solution to this problem that many professional mixing engineers use on vocals is a process known as parallel compression. Proper Compression Settings for Vocals – Recording and Mixing Getting the right compression setting for vocals will go a long way in how well your music will sound. Rap Vocal Compression Settings. Typically, fast attack times are good for thick and heavy vocals while a slower attack time is good for aggressive vocals that punch through the mix. The answer is parallel compression. How you use vocal compression really depends on the song, genre and recording quality and so it makes it impossible to give you settings that will be perfect every time. This will hopefully save you the headache of ruining a few tracks before you get the hang of this powerful tool. If you use a compressor to even out a vocal performance, you don’t want to hear the compressor working. There are no magic settings that work 100% of the time. Typical settings may look like this: Threshold: –8dB. It evens out the often-erratic levels that a singer can produce and tames transients that can cause digital distortion. There is no one-size-fits-all formula to vocal compression. Mixing Tip: How To Use Glue Compressor FX Chain; 50 Free VST Plugins For Vocals